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| Item Number | Artist | Description (organized by century and then alphabetical by artist) | Price | Century | Media |
|---|---|---|---|---|---|
| FIFTEENTH CENTURY | |||||
| Durer-1 | Albrecht Dürer (1471 - 1528) | THE MARTYRDOM OF ST. CATHERINE OF ALEXANDRIA. 1496/97. Meder 236c (of g). Woodcut on laid paper with a watermark similar to Meder wz. 58 (Wäppchen mit Reichsapfel), used from 1565 to 1572, and Meder wz. 151, which is cited for this edition, 1560 - 1580. A very good impression, but showing some wear to the block. Very good condition. | $9,000. | 15 | Woodcut |
| Gujarat-1 | (Jain manuscript leaf) | THE SOOTHSAYERS SUMMONED TO EXPOUND QUEEN TRISALA'S DREAMS. Page 36 from a Kalpasutra manuscript. | $1,200. | 15 | Manuscript page with miniature painting |
| SIXTEENTH CENTURY | |||||
| Aldegrever-2 | Heinrich Aldegrever (1502 - 1555/61) | TWO TORCH-BEARERS. 1538. H. 161. Engraving. Plate 2 from The Large Wedding Dancers. | $2,500. | 16 | Engraving |
| Aldegrever-3 | Heinrich Aldegrever (1502 - 1555/61) | AMNON AND JONADAB. 1540. Hollstein 22ii. Engraving. Plate 1 from The Story of Amnon and Tamar. |
$2,000. | 16 | Engraving |
| Beham H-1 | Hans Sebald Beham (1500 - 1550) | TRAJAN'S JUSTICE. 1537. H. 86 ii(of iii). Engraving. Provenance: Ducs d'Arenberg (Lugt 567). | $2000. | 16 | Engraving |
| Beham H-2 | Hans Sebald Beham (1500 - 1550) | STANDARD-BEARER AND DRUMMER. 1544. H. 202ii. Engraving. | $2,500. | 16 | Engraving |
| Beham H-4 | Hans Sebald Beham (1500 - 1550) | COAT OF ARMS WITH A LION. 1544. H. 266ii. Engraving, a hexagonal shape. | $2,000. | 16 | Engraving |
| van der Borcht IV-2 | Pieter van der Borcht IV (1545 - 1608) | ISAAC CLEANING OUT THE WELLS. 1581. Wurzbach 1. Etching. Plate from Imagines et figurae Bibliorum. | $500. | 16 | Etching |
| van der Borcht IV-3 | Pieter van der Borcht IV (1545 - 1608) | THE PARABLE OF THE SOWER. 1581. Wurzbach 1. Etching. From a later edition of Imagines et figurae Bibliorum. | $500. | 16 | Etching |
| van der Borcht IV-4 | Pieter van der Borcht IV (1545 - 1608) | THE STORY OF ELIJAH AND ELISHA. Wurzbach 3, LeBlanc 1, Hollstein 195 - 198, only states. Engravings. Complete set of four ornament prints with the story printed from a separate oval plate in the center. | $2,400. the set | 16 | Engravings |
| Carracci-1 | Agostino Carracci (1557 - 1602) | MERCURY AND THE THREE GRACES, after Jacopo Tintoretto. 1589. Engraving. | $2,000. | 16 | Engraving |
| Dietterlin the Elder-1 | Wendel Dietterlin the Elder (1550 - 1599) | ARCHITECTURAL ORNAMENT WITH ANIMALS AND THE FIGURE OF DIANA. 1593. Hollstein 17, first edition. Engraving. Plate 74 from the series Architectural and Ornamental Designs. An early impression, with polishing scratches still visible on the plate. | $750. | 16 | Engraving |
| Doetecum-1 | Jan and Lucas Doetecum (2nd half 16th-c.) | VIEW INTO A COLONNADED SPACE WITH RUINED VAULT, THE CENTER COVERED BY BEAMS. . . . 1560-62. Hollstein 61ii. Etching. A very good impression in good condition. Plate 10 from Oval Architectural Perspective Views for Intarsia Work, third edition, published by Theodor Galle. | $650. | 16 | Etching |
| Doetecum-2 | Jan and Lucas Doetecum (2nd half 16th-c.) | VIEW OF A PORTAL WITH VAULTS, PARTLY COVERED BY BEAMS. 1560-62. Hollstein 71ii. Etching. A very good impression. Plate 20 from Oval Architectural Perspective Views for Intarsia Work, third edition, published by Theodor Galle. | $650. | 16 | Etching |
| Durer-2 | Albrecht Dürer | THE BIRTH OF THE VIRGIN. 1511. Meder 192. Woodcut from the Life of the Virgin. Watermark: Coat of arms (Meder wz. 246, ca. 1600). | $12,000. | 16 | Woodcut |
| Durer-5 | Albrecht Dürer (1471 - 1528) | THE DEATH OF THE VIRGIN. 1510. Meder 205b (of g), after the 1511 Latin edition. Woodcut from the Life of the Virgin. Watermark: Hand with flower (Meder wz. 16). | $10,000. | 16 | Woodcut |
| Durer-7 | Albrecht Dürer (1471 - 1528) | REJECTION OF JOACHIM'S OFFERING. ca. 1504. M. 189g. Watermark: Coat of Arms (Meder wz. 246, ca. 1600). Printer's creases. | $5,000. | 16 | Woodcut |
| Durer-8 | Albrecht Dürer (1471 - 1528) | ADORATION OF THE SHEPHERDS. 1503. M. 197, from the 1511 edition, with Latin text on verso. | $10,000. | 16 | Woodcut |
| Durer-9 | Albrecht Dürer (1471 - 1528) | THE CIRCUMCISION OF CHRIST. 1505. M. 198, from the 1511 edition, with Latin text on verso. | $10,000. | 16 | Woodcut |
| Durer-10 | Albrecht Dürer (1471 - 1528) | THE ADORATION OF THE MAGI. 1503. M. 199f. | $4,500. | 16 | Woodcut |
| Durer-13 | Albrecht Dürer (1471 - 1528) | CHRIST DISPUTING WITH THE DOCTORS. ca. 1503. M. 203d (of g). Watermark: Fish bladder (M. wz. 309, ca. 1580). |
$5,000. | 16 | Woodcut |
| Durer-14 | Albrecht Dürer (1471 - 1528) | CHRIST TAKING LEAVE OF HIS MOTHER. 1503-04. M. 204e (of h). A fine impression in very good condition. Watermark: Fish bladder (M. wz. 309, ca 1580). |
$7,500. | 16 | Woodcut |
| Durer-15 | Albrecht Dürer (1471 - 1528) | ASSUMPTION AND CORONATION OF THE VIRGIN. 1510. M. 206b (of e), after the Latin text edition of 1511. A very good impression. Watermark: Fish bladder (M. 309, ca. 1580).
|
$6,500. | 16 | Woodcut |
| Durer-16 | Albrecht Dürer (1471 - 1528) | GLORIFICATION OF THE VIRGIN. 1504. M.207ii (of iii f), from the 1511 edition, without text on verso, which in the case of this print, is usual. Watermark: Arrow with flower ( M. wz. 127). | $8,500. | 16 | Woodcut |
| Durer-18 | Albrecht Dürer (1471 - 1528) | COAT OF ARMS OF THE SCHEURL AND TUCHER FAMILIES. ca. 1512. Meder 291c (of e). Woodcut, 302 x 208 mm, trimmed outside borderline. Very good impression, a horizontal printer's crease, tiny tear at upper left corner. Provenance; H. Marx (Lugt 2816a) and an unidentified collector's mark. |
$1,500. | 16 | Woodcut |
| Durer-19 | Albrecht Dürer (1471 - 1528) | SOJOURN OF THE HOLY FAMILY IN EGYPT. ca. 1501 - 02, after the Latin text edition of 1511. Woodcut from The Life of the Virgin. Small stain in outer margin, otherwise good condition. | $8,000. | 16 | Woodcut |
| Galle-1 | Cornelis Galle (1576 - 1650) | HYEMS (WINTER), after Jacopo Bassano (1510 - 1592). Unrecorded (?) Engraving, from a set of the Four Seasons. | $1,800. | 16 | Engraving |
| de Gheyn-1 | Jacob de Gheyn II (1565 - 1629) | A PIKE BEARER, after Goltzius. 1587. From the series Officers and Soldiers of the Bodyguard of Emperor Rudolph II. Engraving. | $2,800. | 16 | Engraving |
| de Gheyn-2 | Jacob de Gheyn II (1565 - 1629) | THE PAYMASTER, after Goltzius. 1587. From the series Officers and Soldiers of the Bodyguard of Emperor Rudolph II. Engraving. | $2,800. | 16 | Engraving |
| Ghisi-1 | Giorgio Ghisi (1520 - 1582) | THE CALUMNY OF APELLES, after Luca Penni. 1560. Boorsch, Lewis & Lewis 27iv (of vi). Engraving. Second published state with the name of Honervogt. | $3,000. | 16 | Engraving |
| Ghisi-2 | Giorgio Ghisi (1520 - 1582) | THE REST ON THE FLIGHT ENTO EGYPT, after Giulio Campi. 1578. Lewis & Lewis 59i (of v). Engraving. A fine, rich impression of this rarity. | $4,800. | 16 | Engraving |
| Pencz-1 | Georg Pencz (ca. 1500 - ca. 1550) | TOBIOLUS AND THE ARCHANGEL RAPHAEL. Hollstein 29i (of iii). Engraving. From The Story of Tobias. | $1,800. | 16 | Engraving |
| Raimondi-2 | Marcantonio Raimondi (1475 - 1534) | LA FORCE (FORTITUDE), after Raphael. Bartsch 389. Engraving from a set of the Seven Virtues. Laid down, flaws. Provenance: F. Gawet, 1806 (Lugt 1069), and an unidentified inscription, verso. | $900. | 16 | Engraving |
| Raimondi-3 | Marcantonio Raimondi (1480 - 1527) | THE PIETÀ WITH THE BARE ARM. Shoemaker 37, figure 30. Engraving. A slightly later impression of this famous image. Flaws and repairs. Watermark: Hand. | $1,500. | 16 | Engraving |
| Raimondi-4 | Marcantonio Raimondi (ca. 1480 - before 1534) | PALLAS (ATHENA), after Giulio Romano. Bartsch 337, only state. Engraving. Rare. | $4,800. | 16 | Engraving |
| Sadeler-1 | Johannes Sadeler I (1550 - 1600) | after Martin de Vos (1532 - 1603): CRAPULA ET LASCIVIA (DRUNKENNESS AND WANTONNESS). Hollstein 558, only state. Engraving. Plate 1 from a series of six prints, the others by Wierix (Alvin 1249 - 1254). |
$2,400. | 16 | Engraving |
| Saenredam-1 | Jan Saenredam (ca. 1565 - 1607) | APOLLO PRESIDING OVER THE ARTS OF GOVERNMENT. Hollstein 53i (of ii). Engraving. From the Seven Planetary Gods, after Hendrik Goltzius, who was the artist's teacher. A fine impression in very good condition. | $1,800. | 16 | Engraving |
| Sanuto-1 | Giulio Sanuto (1530 - 1588) | ST. JOHN THE BAPTIST IN THE WILDERNESS. Engraving. Rare. | $5,000. | 16 | Engraving |
| Schauflein-1 | Hans Schäufelein (1480 - 1540) | ENTRY INTO JERUSALEM. ca. 1505. Bartsch 34, 1; Hollstein 710. From The Passion of Christ, a series of thirty-four woodcuts, with Latin text on verso. A very good impression. Repaired tear. | $1,400. | 16 | Woodcut |
| Suavius-1 | Lambert Suavius (Zutman) (1510 - 1575) | Twelve plates from the set of fourteen: CHRIST, THE TWELVE APOSTLES AND ST. PAUL. 1545 - 48. Hollstein 9 - 22. Engravings. Lacking plates 13 & 14. Provenance: Plates 4, 6, 8, & 10: Thomas Graf (Lugt 1092b, and (all plates) Leo Steinberg. | $6,000. | 16 | Engraving |
| SEVENTEENTH CENTURY | |||||
| Anonymous-1 | Anonymous engraver (Mueler?) | PORTRAIT OF SEBASTIEN BOURDON, French painter and engraver (1616-1671), after a self-portrait(?). 1784. Engraving. A very fine artist's proof before letters. | $900. | 17 | Engraving |
| della Bella-3 | Stefano della Bella (1610 - 1664) | THE FLIGHT INTO EGYPT. 1641. DeVesme/Massar 12iii (of iv). Etching on paper with a Coat of arms watermark that dates to 1640 - 60. Provenance: Christian G. Crusius (Lugt 548). | $1,800. | 17 | Etching |
| della Bella-4 | Stefano della Bella (1610 - 1664) | REST ON THE FLIGHT INTO EGYPT. 1641. DeVesme/Massar 17ii (of iii). Etching on paper with a Coat of arms watermark that dates to 1640 - 60. Provenance: Christian G. Crusius (Lugt 548). |
$2,000. | 17 | Etching |
| della Bella-5 | Stefano della Bella (1610 - 1664) | TERRA (EARTH). 1647 or earlier. DeVesme/Massar 753i (of iii). Etching from a set of The Four Elements. | $900. | 17 | Etching |
| della Bella-6 | Stefano della Bella (1610 - 1664) after A. Parigi | PRIMA SCENA RAPRESENTANTE FIORENZA. 1637. DeVesme/Massar 919. Etching from a series of stage designs for the play Le Nozzi degli Dei, on paper with a watermark of a sun. A fine impression in good condition. |
$2,200. | 17 | Etching |
| della Bella-7 | Stefano della Bella (1610 - 1664) after A. Parigi | TERZA SCENA GIARDINO DI VENERE. 1637. DeVesme/Massar 921. Etching. A fine, rich impression. Repaired tear into right edge, folds visible only on verso. Etching from a series of stage designs for the play Le Nozzi degli Dei. |
$2,400. | 17 | Etching |
| della Bella-8 | Stefano della Bella (1610 - 1664) after A. Parigi | SCENA QUINTA D'INFERNO. 1637. DeVesme/Massar 923. A very good impression in good condition. Etching from a series of stage designs for the play Le Nozzi degli Dei. |
$2,000. | 17 | Etching |
| della Bella-9 | Stefano della Bella (1610 - 1664) | DOUBLE FRIEZE WITH CONFRONTING ANIMALS. DeVesme 992v (of vi). Etching. Plate 6 from Ornamenti de Fregi et Fogliani. | $250. | 17 | Etching |
| Bosse-1 | Abraham Bosse (1602 - 1676) | L'HIVER (WINTER). ca. 1635. Blum 1036i (of ii). Engraving from a set of The Four Seasons. A fine early impression, but lacking the decorative border. Provenance: Craddock & Barnard. | $2,800. | 17 | Etchings with engraving |
| Bosse-2 | Abraham Bosse (1602 - 1676) | DEPARTURE OF THE PRODIGAL SON. Blum 1184, only state. Engraving and etching. A fine impression. From a series of six, L'Enfant prodigue. Provenance: Demany (Lugt 780a). | $3,000. | 17 | Engraving and etching |
| Bosse-3 | Abraham Bosse (1602 - 1676) | THE FOOLISH VIRGINS FALLING ASLEEP, ca. 1635. Blum 1018, only state. Engraving. From the series Les Vierges sages et les Vierges folles (The Wise and Foolish Virgins). A fine impression, but with a vertical centerfold. | $2,200. | 17 | Engraving |
| Both-1 | Jan Both(1610 - 1652) | LANDSCAPE WITH RUINS AND TWO COWS AT THE WATERSIDE. Hollstein 8, ii or iii (of vi). From the series of six: Landscapes of the Environs of Rome. Provenance: Leo Steinberg. | $1,800. | 17 | Etching with drypoint |
| Breenbergh-1 | Bartholomeus Breenbergh (1599 - 1657): | THE TOWER OF LEONI, NEAR FRASCATI. Hollstein 9. Etching. |
$1,800. | 17 | Etching |
| Callot-1 | Jacques Callot (1592 - 1635) | SOLIMAN, ACT 3. L. 366, only state. Etching and engraving. From the series of five plates plus frontispiece, Il Solimano, a tragedy in five acts. | $900. | 17 | Etchings |
| Callot-2 | Jacques Callot (1592 - 1635) | PARTERRE DU PALAIS DE NANCY (THE PALACE GARDENS AT NANCY). 1625. Lieure 566i (of ii). Etching with engraving. | $8,500. | 17 | Etching with engraving |
| Callot-4 | Jacques Callot (1592 - 1635) | THE SLAVE MARKET, or THE SMALL VIEW OF PARIS. 1629. Lieure 369ii (of vi). Etching. | $2,800. | 17 | Etching |
| Callot-5 | Jacques Callot (1592 - 1635) | THE LAST SUPPER. Lieure 282i (of iv). Etching. Plate 2 from The Large Passion. | $1,200. | 17 | Etching |
| Castiglione-1 | G. B. Castiglione (1609 - 1665) | THE SUPPOSED FINDING OF THE REMAINS OF ST. PETER AND ST. PAUL. 1647-51. Bartsch 14, only state. Etching. Trimmed to the image, lacking the 5 mm blank border below with the printed signature. | $3,000. | 17 | Etching |
Castiglione-2 |
G. B. Castiglione (1609 - 1665) | MAN WITH A LONG BEARD, WEARING A HEADDRESS AND FUR CAP, FACING RIGHT. ca. 1640. Bartsch 48ii. Etching on thin laid paper. From the set of five plates, Large Studies of Heads in Oriental Headdress. | $2,800. | 17 | Etching |
| Castiglione-5 | Giovanni Benedetto Castiglione (1609 - 1664) | HEAD OF A MAN WITH MUSTACHE IN A FUR HAT, FACING LEFT. Late 1640s - early 1650s. Bartsch 49, Lewis 27i (of ii). Etching. Small flaws. From the series of Large Studies of Heads in Oriental Headdress. Provenance: Knegtel Collection, The Netherlands. |
$2,400. | 17 | Etching |
| Castiglione-6 | Giovanni Benedetto Castiglione (1609 - 1664) | YOUNG MAN WITH PEAKED HAT FACING RIGHT. ca. 1645 - 1650. Bartsch 47i (of ii). Etching, 110 x 81 mm (4 5/16 x 3 3/16"), trimmed along the plate mark. Plate 12 from the series Small Studies of Heads in Oriental Headdress. Bartsch is of the opinion that this portrait is of a woman. Provenance: Knegtel Collection, The Netherlands. |
$1,200. | 17 | Etching |
| Castiglione-7 | Giovanni Benedetto Castiglione (1609 - 1664) | YOUNG MAN IN A FEATHERED BERET (a self-portrait?). Percy E19ii. Etching. Provenance: Knegtel Collection, The Netherlands. Also see Castiglione-7.1 below. |
$1,800. | 17 | Etching |
| Castiglione-7.1 | Giovanni Benedetto Castiglione (1609 - 1664) | YOUNG MAN IN A FEATHERED BERET (a self-portrait?). Bartsch 53, Percy E19ii, Lewis & Massar 25iii (of iii). Etching, trimmed inside the (blank area inside the) plate mark and window mounted. Short tear at upper left corner, otherwise very good condition. (Also see Castiglione-7 above.) | $1,400. | 17 | Etching |
| Castiglione-9 | Giovanni Benedetto Castiglione (1609 - 1664) | BEARDED MAN WITH HIS HEAD LEANING FORWARD, WEARING A SKULLCAP. ca. 1640. Bartsch 50 ii. Etching, trimmed along the plate mark. From the series of Large Heads in Oriental Headdresses. A fine impression, in excellent condition, printed on thin laid paper. | $2,800. | 17 | Etching |
| Castiglione-10 | Giovanni Benedetto Castiglione (1609 - 1664) | PORTRAIT OF A MAN WITH BEARD WEARING A TURBAN, FACING RIGHT. ca. 1640. Etching, trimmed along the plate mark. From the series of Large Heads in Oriental Headdresses. A fine impression, in excellent condition, printed on thin laid paper. | $2,800. | 17 | Etching |
| Castiglione-11 | Giovanni Benedetto Castiglione (1609 - 1664) | PAN RESTING BEFORE A HERM. ca. 1645-50. Bartsch 17, Percy E9. Etching, trimmed outside the borderline. A very good impression in good condition. | $1,800. | 17 | Etching |
| Castiglione-12 | Giovanni Benedetto Castiglione (1609 - 1664) | THE DREAM OF JOSEPH. Bartsch 10, Lewis-Massar 3iii. Etching, trimmed outside the plate mark. A good but later impression in good condition except for slight toning. | $1,200. | 17 | Etching |
| Delff-1 | Willem Jacobz. Delff (1580 - 1638) | PORTRAIT OF ABRAHAM VAN DER MEER, after Miereveld. 1626. Hollstein 46, only state. Engraving. A fine impression, in good condition, except for foxing on verso. | $650. | 17 | Engraving |
| Dorigny-1 | Michel Dorigny (1617 - 1666) | VENUS AND ADONIS, after Vouët. 1638. Robert-Dumesnil 61, only state. Etching. An oval print. | $1,800. | 17 | Etching |
| Dujardin-1 | Karel Dujardin (1622 - 1678) | THE SHEPHERD BEHIND THE TREE. 1656. Hollstein 23ii (of iii). Etching. | $900. | 17 | Etching |
| Edelinck-1 | Gerard Edelinck (1640 - 1707) | PORTRAIT OF PIERRE DE MONTARSIS, AMATEUR OF THE FINE ARTS, after Antoine Coypel (1661-1722). 1692. Dobert-Dumesnil 277iii. Engraving. A fine impression, the paper slightly toned, but otherwise in excellent condition. | $850. | 17 | Engraving |
| Goudt-1 | Hendrik Goudt (1580/85 - 1648) | THE MOCKING OF CERES (or CERES SEEKING HER DAUGHTER), after a painting by Adam Elsheimer. 1610. Dutuit 6, Hollstein 5, only state. Engraving. Very good impression, with some short repaired tears, slightly toned. | $5,000. | 17 | Engraving |
| Grimaldi-1 | Giovanni Franceso Grimaldi (1606 - 1680) | LANDSCAPE WITH TWO MEN ON A HILLOCK. Bellini 12i (of ii). Etching, Very beautiful impression of the first state of two, before the inscription An. Carac. at lower right. |
$1,200. | 17 | Etching |
| Grimaldi-2 | Giovanni Franceso Grimaldi (1606 - 1680) | TWO WOMEN ON A SMALL BRIDGE. Bartsch 9, Bellini 9. A round print. Etching, trimmed outside or along plate mark on three sides and into plate mark at right. A very good impression in good condition except for a horizontal fold. | $800. | 17 | Etching |
| Hollar-1 | Wenzel Hollar (1607 - 1677) | NAVES BELLICAE HOLLANDICAE. 1647. Parthey 1268. Etching from a set of eleven Dutch ships plus title, P. 1261 - 72. Foolscap watermark. Provenance: Stephan Delhaes (Lugt 761) and Szépmüvészeti Museum, Budapest (L. 2328) | $1,800. | 17 | Etching |
| Isselburg-1 | Peter Isselburg (1568 - 1630) | DOUBLE PORTRAIT OF EMPEROR MATTHIAS AND HIS WIFE EMPRESS ANNA, after Gabriel Weyer. 1613. Hollstein 89, only state. Engraving. | $3,200. | 17 | Engraving |
| Lepautre-1 | Jean Lepautre (1618 - 1682) | CARACALLA ASSASSINATES HIS BROTHER, GETA, IN HIS MOTHER'S ARMS. Bibliothèque Nationale Inventaire 1325i (of iii). Engraving from a series of six published by LeBlond in 1667. | $1,200. | 17 | Engraving |
| Lorrain-2 | Claude Lorrain (1600 - 1682) | LE NAUFRAGE (THE SHIPWRECK). ca. 1638 - 41. Manocci 35iv (of v). Etching. | $1,800. | 17 | Etching |
| Matham-1 | Jacob Matham (1571 - 1631) | MERIDIES (MIDDAY, OR NOON), after Karel van Mander. Hollstein 309, only state. Engraving. From The Times of the Day, a series of four plates. A fine impression. Slight soiling and rubbing around two lines of verse, below. | $1,800. | 17 | Engraving |
| Monnoyer-2 | Jean-Baptiste Monnoyer (1635 - 1699) | ANEMONES, TUBEROSES AND OTHER FLOWERS AND FOLIAGE IN A VASE. From Arrangements in Glass Vases. Etching in the style of engraving. | $2,400. | 17 | Etching |
| Passe de Oude-2 | Crispijn de Passe de Oude (ca. 1565 - 1637) | EARTH (ORPHEUS PLAYING FOR THE ANIMALS). 1602. Hollstein 532, only state. Engraving from a set of The Elements, representing at the same time the princes of music. | $1,800. | 17 | Engraving |
| Passe de Oude-3 | Crispijn de Passe de Oude (ca. 1565 - 1637) | EUTERPE PLAYING THE FLUTE. ca. 1600. Hollstein 408, only state. From a set of The Muses, a series of nine engravings. | $1,800. | 17 | Engraving |
| van de Passe II-1 | Crispijn van de Passe II (ca. 1597 - 1670) | THE KING AND COURTIERS FROM THE COURT OF LOUIS XIII PRACTICING DRESSAGE. 1620-23. Franken 1360 (19). Engraving and woodcut (outer frame). From Antoine de Pluvinel: L'Instruction du Roy en L'Exercice de Monter a Cheval. | $2,000. | 17 | Engraving and woodcut |
| Pencz-1 | Georg Pencz (ca. 1500 - ca. 1550) | TOBIOLUS AND THE ARCHANGEL RAPHAEL. Hollstein 29i (of iii). Engraving. From The Story of Tobias, H. 26 -32. | $2,000. | 17 | Engraving |
Perelle G-1 |
Gabriel Perelle (1604 - 1677) and/or Adam Perelle (1638 - 1695) | TRAVELLERS ALONG A RIVER WITH DISTANT VILLA. ca. 1650. Etching. From a series of landscapes with travellers, published by Le Blond. | $450. | 17 | Etching |
| Perelle G-2 | Gabriel Perelle (1604 - 1677) and/or Adam Perelle (1638 - 1695) | LA PORTE DE LA CONFERENCE, PARIS. Etching and engraving. From a series of Views of Paris. | $450. | 17 | Etching and engraving |
| Perelle G-3 | Gabriel Perelle (1604 - 1677) and/or Adam Perelle (1638 - 1695) | LE CHASTEAU DE PETIT-BOURG APPARTENANT A MONSEIG.R LE DUC D'ANTIN. Etching. Proof with the letters handwritten in ink. | $500. | 17 | Etching |
| Perrier-1 | Francois Perrier (1594 - 1649) | THE TRIUMPH OF BACCHUS, after Giulio Romano. Engraving and etching. A fine impression of this great rarity, with some condition problems. | $8,500. | 17 | Engraving and etching |
| Rembrandt-1 | Rembrandt van Rijn (1606 - 1669) | CHRIST AND THE WOMAN OF SAMARIA. 1658. Hollstein 70iii. Etching. A very good impression of the last state. Provenance: R. Dietze (Lugt 2197) | $20,000. | 17 | Etching |
| Rembrandt-2 | Rembrandt van Rijn (1606 - 1669) | DESCENT FROM THE CROSS BY TORCHLIGHT. 1654. Bartsch/Hollstein 83, only state. Etching and drypoint. A fine, richly inked impression with touches of burr on the man supporting Christ, on the man holding the cloth, on Christ's beard, and on the cross. Small flaws. Provenance: Sophie Rosenwald Adler (Lessing Rosenwald's aunt). |
$75,000. | 17 | Engraving |
| Rembrandt-7 | Rembrandt van Rijn (1606 - 1669) | STUDENT AT A TABLE BY CANDLELIGHT. 1642. Bartsch/Hollstein 148, only state. Nowell-Usticke 148i (of iii) – “R - A very uncommon print, usually much worn. Plate not in existence.” Provenance: R. G. Michel, Paris. |
$28,000. | 17 | Etching |
| Rembrandt-8 | Rembrandt van Rijn (1606 - 1669) | PORTRAIT OF JAN UYTENBOGAERT, PREACHER OF THE REMONSTRANTS. 1635. Bartsch/Hollstein 279v (of vi). Etching and burin, an octagonal plate, trimmed just outside the plate mark all around. A fine, rich impression in very good condition. |
$18,000. | 17 | Etching |
| Rembrandt-10 | Rembrandt van Rijn (1606 - 1669) | PORTRAIT OF JAN LUTMA, GOLDSMITH. 1656. White & Boon 276iii. Etching and drypoint, on laid paper with a "Words" watermark. A very good impression in good condition. |
$30,000. | 17 | Etching |
| Rembrandt-11 | Rembrandt van Rijn (1606 - 1669) | THE RAISING OF LAZARUS: SMALL PLATE. 1642. White & Boon 72ii. Etching. A fine impression. |
$15,000. | 17 | Etching and drypoint |
| Ribera-1 | Jusepe de Ribera (1591 - 1652) | THE PENITENCE OF SAINT PETER. 1621. Brown 6i (of ii). Etching and engraving. A fine impression in very good condition. |
$6,500. | 17 | Etching and engraving |
| Ribera-2 | Jusepe de Ribera (1591 - 1652) | THE DRUNKEN SILENUS. 1628. Brown 14ii (of iii). Etching with drypoint, engraving, and burnishing. In good condition except for a few tiny repaired edge tears. |
$22,000. | 17 | Etching with drypoint, engraving, and burnishing |
| Sadeler-1 | Aegidius Sadeler (c. 1570 - 1629) | A FOREST SCENE WITH A WOODEN BRIDGE ON THE RIGHT, after P. Stevens. Hollstein 253i (of iii), but before Petrus Stephani Inven. in the lower left margin. Engraving from a set of eight Bohemian Landscapes. Window mounted on an old album leaf. | $2,800. | 17 | Engraving |
| Sadeler-2 | Aegidius Sadeler (c. 1570 - 1629) | PORTRAIT OF THE EMPRESS FLAVIA DOMICILLA VESPASIANI UXOR. Hollstein 368ii (of iii). Engraving. Plate X from a set of title and twenty-four portraits of Roman Emperors and their Empresses. | $450. | 17 | Engraving |
| Schut-1 | Cornelis Schut (1597 - 1655) | VENUS AT VULCAN'S FORGE. Hollstein 121. Etching. | $3,000. | 17 | Etching |
| de Vries-1 | Hans Vredeman de Vries (1527 - 1606) | PERSPECTIVE: Title plate for Book II. 1605. Engraving with second plate text in letterpress. Item #1 in PDF link. | $250. | 17 | Engraving |
| de Vries-4 | Hans Vredeman de Vries (1527 - 1606) | PERSPECTIVE: Book I, Plate 8. Pillars or columns up to their capitals, with arches. 1605. Engraving. Item #4 in PDF link. | $300. | 17 | Engraving |
| de Vries-5A | Hans Vredeman de Vries (1527 - 1606) | PERSPECTIVE: Book I, Plate 14. Square construction with pillars and arches. 1605. Engraving. Item #5 (first of two #5) in PDF link. | $300. | 17 | Engraving |
| de Vries-5B | Hans Vredeman de Vries (1527 - 1606) | PERSPECTIVE: Book I, Plate 15. The types of containers in foreshortening, and an edifice with a flight of stairs. 1605. Engraving. Item #5 (second of two #5) in PDF link. | $400. | 17 | Engraving |
| de Vries-7 | Hans Vredeman de Vries (1527 - 1606) | PERSPECTIVE: Book I, Plate 16. Triumphal arch with a perspective of three arches with flat ceilings and side arches. 1605. Engraving. Item #7 in PDF link. | $350. | 17 | Engraving |
| de Vries-9 | Hans Vredeman de Vries (1527 - 1606) | PERSPECTIVE: Book I, Plate 20. Three pedestals in a row, in the center a basin for a fountain, surrounded by pillars and arches. 1605. Engraving. Item #9 in PDF link. | $300. | 17 | Engraving |
| de Vries-10 | Hans Vredeman de Vries (1527 - 1606) | PERSPECTIVE: Book I, Plate 26. Correct arrangement of a cross-vault. 1605. Engraving. Item #10 in PDF link. | $200. | 17 | Engraving |
| de Vries-13B | Hans Vredeman de Vries (1527 - 1606) | PERSPECTIVE: Book I, Plate 49. Two orders of the ancients, based on the theory of Vitruve, drawn according to the rules of perspective. 1605. Engraving. Item #13 (second of two #13) in PDF link. | $300. | 17 | Engraving |
| de Vries-15 | Hans Vredeman de Vries (1527 - 1606) | PERSPECTIVE: Book II, Plate 6. Construction of a building with two stories of square pillars of the Tuscan order. 1605. Engraving. Item #15 in PDF link. | $350. | 17 | Engraving |
| de Vries-20 | Hans Vredeman de Vries (1527 - 1606) | PERSPECTIVE: Book II, Plate 16. Three lessons in perspective. 1605. Engraving. Item #20 in PDF link. | $250. | 17 | Engraving |
| de Vries-21A | Hans Vredeman de Vries (1527 - 1606) | PERSPECTIVE: Book II, Plate 17. Hexagonal building with six columns of the Tuscan order, supporting a cross-vault. 1605. Engraving. Item #21 (first of two #21) in PDF link. | $350. | 17 | Engraving |
| de Vries-26 | Hans Vredeman de Vries (1527 - 1606) | PERSPECTIVE: Book II, Plate 24. Diagram of the proportions of the Doric column, considered as the origin of the four columns. 1605. Engraving. Item #26 in PDF link. | $250. | 17 | Engraving |
| Waterloo-1 | Antonij Waterloo (1609/10-1690) | THE SMALL BRIDGE OVER A STREAM. M. 124ii (of iii). Etching. Second edition, on paper with Fools cap watermark. | $1,800. | 17 | Etching |
| Waterloo-2 | Antonij Waterloo (1609/10-1690) | LANDSCAPE WITH MERCURY AND ARGUS. B. 127, M. 127ii. Etching. Third edition.Watermark: Arms of Amsterdam. | $1,100. | 17 | Etching |
| EIGHTEENTH CENTURY | |||||
| Allen-1 | Anne Allen (active 1790s) | Title page to Nouvelle Suitte de cahiers arabesque chinois à l'usage des dessinateurs et des Peintres. . . . Color etching on laid paper, plus margins, inked a la poupée in gray, black, blue, blue-green, olive-green, red, and brown, and printed with a pale blue-green plate tone. A fine impression of this rarity. | $3,000. | 18 | Etching |
| von Bemmel-1 | Peter von Bemmel (1686 - 1754) | SET OF MOUNTAINOUS AND WOODED LANDSCAPES. 1716. Meyer KL 1-6. Complete set of six etchings. | $1,500. | 18 | Etching |
| de Boissieu-1 | Jean Jacques de Boissieu (1736 - 1810) | THE PASCAL LAMB. 1782. Etching and engraving on cream China paper mounted on white wove. | $950. | 18 | Etching and engraving |
| Canaletto-1 | Canaletto (Giovanni Antonio Canal) (1697 - 1768) | MESTRE. Bromberg 3iib. Etching from the series Vedute da Antonio Canal. | $4,500. | 18 | Etching |
| Canaletto-3 | Canaletto (Giovanni Antonio Canal) (1697 - 1768) | LANDSCAPE WITH TOWER AND TWO RUINED PILLARS. Etching. A fine impression of this rare print, in good condition except for pale adhesive stains at upper edge. | $5,500. | 18 | Etching |
| Canaletto-4 | Canaletto (Giovanni Antonio Canal) (1697 - 1768) | LANDSCAPE WITH THE PILGRIM AT PRAYER. 1735/44. Bromberg 27iii. Etching from the series Vedute altre prese da i luoghi altre ideate (Views, some representing actual sites, others imaginary). | $5,500. | 18 | Etching |
| Duchange-1 | Gaspard Duchange (1662 - 1757) | PORTRAIT OF FRANÇOIS GIRARDON, after a painting by Hyacinthe Rigaud. 1704. Bibliothèque Nationale Inventaire 9, only state. Engraving. A fine impression, slightly toned and with a horizontal centerfold visible on verso. | $650. | 18 | Engraving |
| Finlayson-1 | John Finlayson (1730 - 1776) | PORTRAIT OF LADY CHARLES SPENCER, after Sir Joshua Reynolds. Mezzotint. Provenance: Museum der Bildenden Künst, Leipzig (Lugt 1669 & 1669f). | $1,600. | 18 | Mezzotint |
| Fragonard-1 | Jean-Honoré Fragonard (1732 - 1806) | THE VISION OF SAINT JEROME, after Johan Liss. Wildenstein XIV i (of iii), Bibliothèque Nationale Inventaire 13i (of ii). Etching. Provenance: Leo Steinberg. | $1,800. | 18 | Etching |
| Gillray-2 | James Gillray (1757 - 1815) | A DECENT STORY. 1795. Etching with hand-coloring. A very good impression with fresh color, printed on soft wove paper. Margins slightly soiled and with waterstains. | $800. | 18 | Etching with hand-coloring |
| Goya-1 | Francisco Goya (1746 - 1828) | D. BALTASAR CARLOS PRINCE OF SPAIN, after Velázquez. 1778. Harris 9.III.1 (of 4). Etching and drypoint. A very good impression from the first published edition. Window mounted, some skinning on verso. (See other works by Goya in 19th Century section.) | $4,500. | 18 | Etching and drypoint |
| Hogarth-1 | William Hogarth (1697 - 1764) | THE IDLE PRENTICE AT PLAY IN THE CHURCHYARD DURING DIVINE SERVICE. 1747. Paulson 170, only state. Engraving. Plate 3 from the series Industry and Idleness. |
$800. | 18 | Engraving |
| Hogarth-2 | William Hogarth (1697 - 1764) | THE IDLE PRENTICE BETRAYED BY HIS WHORE AND TAKEN IN A NIGHT CELLAR WITH HIS ACCOMPLICE. 1747. Paulson 176, only state. Engraving. Plate 9 from the series Industry and Idleness. |
$800. | 18 | Engraving |
Hogarth-3 |
William Hogarth (1697 - 1764) | GARRICK IN THE CHARACTER OF RICHARD III. June 20th, 1746. Paulson 165ii. Engraving. A fine impression in very good condition. | $2,000. | 18 | Engraving |
| Jackson-1 | John Baptist Jackson (1701 - 1780) | THE DESCENT FROM THE CROSS, after Rembrandt. 1738. Kainen 13, only state. Chiaroscuro woodcut from four blocks. |
$1,500. | 18 | Chiaroscuro woodcut |
| Moreau Le Jeune-1 | J. M. Moreau Le Jeune (After) | SECONDE SUITE D'ESTAMPES . . . 1776. Boucher 1372-1383, P. & B. I, p. 266, second states of three. Complete set of 12 prints, title page, and (added) the rare frontispiece portrait of Moreau by Augustin de St. Aubin after Cochin fils (Prouté 193.) Engravings with etching. Bound in red Morocco with gold tooling. | $1,500. | 18 | Engravings with etching |
| Mughal-1 | Mughal, Delhi, ca. 1750. | A NOBLE KNEELING AT THE FEET OF A LADY. Gouache on paper. The unknown artist is a master of the manipulation of color to provide an ancillary relevance to the emotional content of the figures. The scene takes place within a setting of minimalist colors, gray and white, providing a calm backdrop. |
$9,000. | 18 | Gouache |
| Piranesi-1 | Giovanni Battista Piranesi (1720 - 1778) | VEDUTE DELL' ESTERNO DELLA GRAN BASILICA DI S. PIETRO IN VATICANO (ST. PETER'S, FROM THE PIAZZA DELLA SAGRESTIA). 1748. Hind 5iii (of vii). Engraving and etching, 404 x 605 mm (15 7/8 x 23 13/16") plus full margins. Plate 7 from the Vedute di Roma (Views of Rome) series. A fine impression of the third of four Roman editions. In very good condition, except for pale discoloration in margins. In a decorative French mat. |
$3,000. | 18 | Engraving |
| Piranesi-2 | Giovanni Battista Piranesi (1720 - 1778) | INSCRIPTIONS OF FREEDMAN AND SLAVES. 1756. Ficacci 302. Engraving and etching. From Vol. III of Le Antichità Romanae. | $1,400. | 18 | Engraving and etching |
| Piranesi-4 | Giovanni Battista Piranesi (1720 - 1778) | ISCRIZIONI E FRAMMENTI DELLE CAMERE SEPOLCRALI DELLA FAMIGLIA ARRUNZIA EC. (INSCRIPTIONS AND FRAGMENTS FROM THE TOMB CHAMBERS OF THE ARRUNTII FAMILY, ETC.) Wilton-Ely 370, F. 235. Engraving. A fine, rich impression in very good condition, except for the usual vertical centerfold. Plate XIII from Vol. II of Le Antichità Romane. The figures are by J. Barbault. | $1,800. | 18 | Engraving |
| Piranesi-5 | Giovanni Battista Piranesi (1720 - 1778) | CAMERA SEPOLCRALE POCHI PASSI DISTANTE DA QUELLA GIA DESCRITTA DELLA FAMIGLIA DI L. ARRUNZIO NELLA STESSA VIGNA . . . (A TOMB CHAMBER IN THE VINEYARD NEAR THAT OF THE FAMILY OF L. ARRUNTIUS ALREADY DESCRIBED . . .). Wilton-Ely 373, F. 238. Engraving. A fine impression in very good condition, except for the usual vertical centerfold. Plate XVI from Vol. II of Le Antichità Romane. | $1,500. | 18 | Engraving |
| Piranesi-7 | Giovanni Battista Piranesi (1720 - 1778) | IDEA D'UN ATRIO REALE (IMAGINARY RECONSTRUCTION OF A ROYAL ATRIUM). 1750. Wilton-Ely 50, only state. Engraving. A fine, rich impression in good condition. from the early Architectural and Decorative Fantasies of the period 1749-50. | $700. | 18 | Engraving |
| Piranesi-8 | Giovanni Battista Piranesi (1720 - 1778) | SALA ALL'USO DEGLI ANTICHI ROMANI . . . (HALL ACCORDING TO THE CUSTOM OF THE ANCIENT ROMANS). 1743-44. Robison 7v (of vi), Taschen 8. Plate 9 from the Prima Parte, second edition, Second Issue, ca. 1835. | $850. | 18 | Etching and engraving |
| Piranesi-10 | Giovanni Battista Piranesi (1720 - 1778) | VEDUTA DELLE DUE CHIESE . . . (TWO CHURCHES NEAR TRAJAN'S COLUMN, S. MARIA DI LORETO, AND SANTISSIMO NOME DI MARIA). 1762. Hind 66i (of iv), Taschen 937. Etching and engraving. From the Vedute di Roma. | $3,400. | 18 | Etching and engraving |
| Piranesi-11 | Giovanni Battista Piranesi (1720 - 1778) | FRONTISPIECE TO VOL. II OF ANTICHITÀ ROMANE containing monuments and sepulchres. Focillon 224. Etching and engraving. | $750. | 18 | Etching and engraving |
| Piranesi-12 | Giovanni Battista Piranesi (1720 - 1778) | FRONTISPIECE TO VOL. III OF ANTICHITÀ ROMANE containing monuments and sepulchres. Focillon 224. Etching and engraving. | $950. | 18 | Etching and engraving |
| Piranesi-13 | Giovanni Battista Piranesi (1720 - 1778) | DESIGN FOR A CHIMNEYPIECE. 1769. Engraving, Plate 3 from the series Divers Ways of ornamenting chimneypieces and all other parts of houses taken from Egyptian, Etruscan . . . architecture, first (Roman) edition. | $900. | 18 | Engraving |
| Piranesi-14 | Giovanni Battista Piranesi (1720 - 1778) | CHIMNEYPIECE DESIGNED FOR LORD EXETER. 1769. Engraving, Plate 1 from the series Divers Ways of ornamenting chimneypieces and all other parts of houses taken from Egyptian, Etruscan . . . architecture, first (Roman) edition. | $900. | 18 | Engraving |
| Piranesi-15 | Giovanni Battista Piranesi (1720 - 1778) | TRAJAN'S COLUMN. 1758. Hind 51iii (of vii). Plate 31 from the series Vedute di Roma. | $3,600. | 18 | Etching and engraving |
| Piranesi-16 | Giovanni Battista Piranesi (1720 - 1778) | THE PALAZZO DI MONTE CITORIO. 1752. Hind 23ii (of iv). Plate 39 from the Vedute di Roma. | $2,400. | 18 | Etching and engraving |
| Rowlandson-1 | Thomas Rowlandson (1756 - 1827) | A SUFFERER FOR DECENCY. June 20, 1789. Grego page 257. Etching and aquatint. A fine impression with unfaded coloring, but with some pale foxing in the margins. | $750. | 18 | Etching and aquatint with hand coloring |
| Surugue-1 | Louis Surugue (1686 - 1762) | MAD. DE ** EN HABIT DE BAL (MADAME DE MOUCHY, DRESSED FOR A BALL), after the pastel by Charles Antoine Coyple (1694-1752). 1746. Firmin Didot 2302. Etching and engraving. A fine impression; pale scattered foxing at bottom, otherwise good condition. The identification of the sitter as Madame de Mouchy is now accepted by most scholars. | $850. | 18 | Etching and engraving |
| Tiepolo-1 | Giovanni Battista Tiepolo (1696 - 1770) | THE HAPPY SATYR AND HIS FAMILY. ca. 1743 - 57. Rizzi 13i (of ii), before the number. Etching from the Scherzi di Fantasia. A fine, early impression with polishing scratches still visible in the sky at right. | $9,000. | 18 | Etching |
| Tiepolo-2 | Giovanni Battista Tiepolo (1696 - 1770) | FAMILY OF THE ORIENTAL PEASANT. ca. 1735. Rizzi 18i (of ii), before the number. Etching from the Scherzi di Fantasia. A very fine impression with a veil of plate tone, of this scarce etching, on a sheet of thick laid paper, the full sheet, with a few printer's creases in the margins. | $9,000. | 18 | Etching |
| Tiepolo GD-1 | Giovanni Domenico Tiepolo (1727 - 1804) | THE HOLY FAMILY PASSING BY A PYRAMID. ca. 1753. Rizzi 86ii. Etching. Plate 20 from the series The Flight into Egypt. Tiny wormhole at upper left. | $3,500. | 18 | Etching |
| NINETEENTH CENTURY | |||||
| Aman-Jean-1 | Edmond Aman-Jean (1858 - 1936) | SOUS LES FLEURS (UNDER THE FLOWERS). 1897. Color lithograph. From L'Estampe Moderne, no. 9, January 1898. A very good impression, the colors somewhat attenuated. | $700. | 19 | Color lithograph |
| Aman-Jean-2 | Edmond Aman-Jean (1858 - 1936) | SOUS LES FLEURS (UNDER THE FLOWERS). 1897. Lithograph, proof in black only, of the color lithograph published in L'Estampe Moderne, no. 9, January 1898. A fine impression in very good condition. | $850. | 19 | Lithograph |
| Aman-Jean-3 | Edmond Aman-Jean (1858 - 1936) | LA RIEUSE (WOMAN SMILING). PORTRAIT OF MADAME ALBERT BESNARD. 1900. Lithograph in three colors. A fine, bright impression in very good condition. | $3,500. | 19 | Color lithograph |
| Anon-1 | Rajput, Punjab Hills, Guler, c. 1820-30. | A NOBLE AND HIS BELOVED ENJOYING WINE. Gouache on paper. |
$4,800. | 19 | Gouache on paper |
| Besnard-1 | Albert Besnard (1849 - 1934) | LA LECTURE DANS L'ATELIER. 1887. Delteil 62ii. Etching. Signed in pencil. (Also see 20th Century section for more Besnard works.) | $800. | 19 | Etching |
| Besnard-2 | Albert Besnard (1849 - 1934) | LA TASSE DE THÉ (WOMAN DRINKING TEA). 1883. Delteil 15vi. Etching and aquatint. Signed in pencil. A rich textural impression, somewhat discolored in the margins. (Also see 20th Century section for more Besnard works.) | $850. | 19 | Etching and aquatint |
| Besnard-3 | Albert Besnard (1849 - 1934) | DEUX JEUNES HOMMES NUS VU DE DOS (TWO NUDE YOUNG MEN SEEN FROM THE BACK). 1899. Delteil 121, only state. Etching and drypoint. Annotated "tiré à 75 no. 9" and signed in pencil. A study for the young fauns in the painting "L'Isle Hereuse" (Happy Island) (1900), now in the Musée des Arts Decoratifs. | $850. | 19 | Etching and drypoint |
| Blake-3 | William Blake (1757 - 1827): | THEN THE LORD ANSWERED JOB OUT OF THE WHIRLWIND. Binyon 118ii. Plate XIII from Illustrations of the Book of Job, 1825. Engraving on India applique, mounted on white wove paper. Fine impression in good condition. |
$3,500. | 19 | Engraving |
| Bonington-1 | Richard Parkes Bonington (1801/2-28) | RUE DU GROS HORLOGE, ÉVREUX. 1824. Curtis 19ii. Lithograph on mounted China paper. From Voyages Pittoresques et Romantiques dans L Ancienne France, Tome II, Normandie, Vol. II, 1825. |
$1,000. | 19 | Lithograph |
| Boulanger-1 | Louis Boulanger (1806 - 1867) | ATTAQUE DU LION. Beraldi 23. Lithograph on mounted China paper. A fine impression in good condition except for scattered foxing in margins. Plate 405 from Souvenirs d'Artistes. | $400. | 19 | Lithograph |
| Boulanger-2 | Louis Boulanger (1806 - 1867) | LION ATTACKED BY A TIGER . Beraldi 20, ca. 1830. "Lithographie en imitation de la manière noire." Lithograph. A fine, rich impression, but with some scatttered foxing in margins and toning on verso. | $400. | 19 | Lithograph |
Buhot-2 |
Félix Buhot (1847 - 1898) | UN DÉBARQUEMENT EN ANGLETERRE. 1879. Bourcard/Goodfriend 130v. Etching, drypoint, and aquatint. Signed in pencil, annotated épreuve d artiste and stamped with the artist's red owl stamp (Lugt 977). | $4,800. | 19 | Etching, drypoint, and aquatint |
Buhot-3 |
Félix Buhot (1847 - 1898) | UNE JETÉE EN ANGLETERRE (A PIER IN ENGLAND). 1879. Bourcard/Goodfriend 132ii (of viii). Etching, drypoint, roulette, and aquatint. A very fine, rich impression in excellent condition. With the red owl monogram stamp at bottom (Lugt 977). | $5,000. | 19 | Etching, drypoint, roulette, and aquatint |
| Chasseriau-1 | Chassériau, Théodore (1819 - 1856) | APOLLO AND DAPHNE. 1844. Fisher 4iii (of ix). Lithograph on mounted China paper, as published in L'Artiste. | $800. | 19 | Lithograph |
| Corot-1 | Jean Baptiste Camille Corot (1796 - 1875) | LE MOULIN DE CUINCY PRÈS DOUAI. 1871. Delteil 28ii. Lithograph on mounted China paper, printed in bistre ink. |
$9,500. | 19 | Etching |
| Cotman-1 | John Sell Cotman (1782 - 1842) | THE NORTH WEST TOWER, YARMOUTH. 1812. From the series Architectural Antiquities of Norfolk, first edition, 1818. Etching. | $600. | 19 | Etching |
| Cotman-2 | John Sell Cotman (1782 - 1842) | SAXON ARCHES IN THE TOWER OF CASTLE RISING CHURCH, NORFOLK. 1812. P. 131. plus full margins. A very good impression in good condition. From the series Architectural Antiquities of Norfolk, first edition, 1818. Etching. | $600. | 19 | Etching |
| Cotman-3 | John Sell Cotman (1782 - 1842) | INTERIOR OF SOUTH-RUNCTON CHURCH, dedicated to the Rev. Robert Forby. 1812. P. 138. From the series Architectural Antiquities of Norfolk, first edition, 1818. Etching. | $500. | 19 | Etching |
| Daubigny-1 | Charles-Francois Daubigny (1817 - 1878) | LE BERGER ET LA BERGÈRE.1874. Melot 122v (of vii), Delteil 122v (of viii). Etching. As published in L'Art. | $1,800. | 19 | Etching |
| Daubigny-2 | Charles-Francois Daubigny (1817 - 1878) | POMMIERS À AUVERS (APPLE TREES IN AUVERS). 1877. Delteil 126iv. As published in l'Illustration nouvelle, 1877. | $800. | 19 | Etching |
| Daubigny-3 | Charles-Francois Daubigny (1817 - 1878) | LE BATEAU-ATELIER (SELF-PORTRAIT). 1861. Delteil 111ii. Etching. From the series Voyage en bâteau (Traveling by Boat). | $800. | 19 | Etching |
| Daumier-1 | Honoré Daumier (1808 - 1879) | UNE VISITE À L'ATELIER. 1845. Delteil 1128ii. Lithograph sur blanc. Plate 41 from the series Les Beaux jours de la vie. | $800. | 19 | Lithograph |
| Daumier-2 | Honoré Daumier (1808 - 1879) | INGRATE PATRIE, TU N'AURAS PAS MON OEUVRE!... (UNGRATEFUL COUNTRY, YOU WILL NOT GET MY WORK!... ). 1840. Delteil 719iii (of vi). Lithograph sur blanc. Provenance: A. Bloch (Lugt 68a), known for his Daumier collection. |
$800. | 19 | Etching |
| Daumier-3 | Honoré Daumier (1808 - 1879) | MAGOT DE LA CHINE (TREASURE FROM CHINA). 1834. Delteil 83, only state. Lithograph. Plate 416 from La Caricature. This lithograph represents a statue from China that resembles Buddha but is actually alluding to Louis-Philippe. | $1,000. | 19 | Lithograph |
| Daumier-4 | Honoré Daumier (1808 - 1879) | REPOS DE LA FRANCE (FRANCE RESTING). 1834. D. 84, only state. Lithograph. Plate 417 from La Caricature. | $900. | 19 | Lithograph |
| Daumier-5 | Honoré Daumier (1808 - 1879) | A DA DA SUR MON BIDET . . . 1833. Delteil 179, only state -- "Rare." Lithograph from Charivari. The print shows Argout and his children. "A da-da sur mon bidet" is a very famous song for children. A child is sitting on d'Argout's nose. The children are an allusion to his playing at governing while he was Minister of Finance. | $1,200. | 19 | Lithograph |
| Daumier-6 | Honoré Daumier (1808 - 1879) | COMME QUOI LA GYMNASTIQUE FORME LES MEMBRES . . . 1845. Delteil 1444ii. Lithograph. Plate 7 from Professeurs et Moutards. | $400. | 19 | Lithograph |
| Delacroix-2 | Eugène Delacroix (1798 - 1863) | HAMLET AND OPHELIA, ACT III, SCENE I . Lithograph. From the series Hamlet (1834-43), with the letters masked. | $800. | 19 | Lithograph on mounted China paper |
| Delacroix-3 | Eugène Delacroix (1798 - 1863) | THE SONG OF OPHELIA, ACT IV, SCENE V. Lithograph. From the series Hamlet (1834-43), with the letters masked. | $800. | 19 | Lithograph on mounted China paper |
| Delacroix-4 | Eugène Delacroix (1798 - 1863) | HAMLET ET LAERTES DANS LA FOSSE D'OPHELIE, ACT V, SCENE 1. 1843. Lithograph. From the series Hamlet (1834-43), with the letters masked. | $800. | 19 | Lithograph on mounted China paper |
| Delacroix-5 | Eugène Delacroix (1798 - 1863) | UN FORGERON (A BLACKSMITH). 1833. Delteil 19v (of vi). Etching with aquatint. | $2,800. | 19 | Etching with aquatint |
| Ensor-1 | James Ensor (1860 - 1949) | LE BOULEVARD VAN ISEGHEM, OSTENDE. 1889. Taevernier 66iii. Etching on simili Japon. The view from Ensor's studio. | $3,500. | 19 | Etching on simili Japon |
| Fantin-Latour-1 | Henri Fantin-Latour (1836 - 1904) | IMMORTATILÉ (THE MUSE OF MUSIC INSCRIBING WAGNER'S NAME AND DATES ON A MONUMENT). 1886. Hédiard 61, only state. Lithograph on mounted China paper. Plate 1 from Adolphe Jullien: Richard Wagner, sa vie et ses oeuvres. | $275. | 19 | Lithograph on mounted China paper |
| Fantin-Latour-2 | Henri Fantin-Latour (1836 - 1904) | LA MUSE (RICHARD WAGNER WRITING MUSIC, AND HIS INSPIRATION). 1886. Hédiard 62, only state. Lithograph on mounted China paper. Plate 2 from Adolphe Jullien: Richard Wagner, sa vie et ses oeuvres. | $250. | 19 | Lithograph on mounted China paper |
| Fantin-Latour-3 | Henri Fantin-Latour (1836 - 1904) | RIENZI: ACT V. PRIÈRE DE RIENZI (RIENZI'S PRAYER). 1886. Hédiard 63, only state. Lithograph on mounted China paper. Plate 3 from Adolphe Jullien: Richard Wagner, sa vie et ses oeuvres. | $275. | 19 | Lithograph on mounted China paper |
| Fantin-Latour-5 | Henri Fantin-Latour (1836 - 1904) | ÉTOILE DU SOIR (EVENING STAR). TANNHOEUSER: ACTE III. 1886. Hédiard 65, only state. Lithograph on mounted China paper. Plate 5 from Adolphe Jullien: Richard Wagner, sa vie et ses oeuvres. | $225. | 19 | Lithograph on mounted China paper |
| Fantin-Latour-6 | Henri de Fantin-Latour (1836 - 1904) | SCÈNE D'AMOUR (LOVE SCENE). LOHENGRIN: ACTE III. 1886. Hédiard 66 i (of ii). Lithograph on mounted China paper. Plate 6 from Adolphe Jullien: Richard Wagner, sa vie et ses oeuvres. | $275. | 19 | Lithograph on mounted China paper |
| Fantin-Latour-7 | Henri de Fantin-Latour (1836 - 1904) | TRISTAN ET ISEULT: ACTE II. SIGNAL DANS LA NUIT (TRISTAN AND ISOLDE: ACT II, SIGNAL IN THE NIGHT). 1886. Hédiard 67 (only state). Lithograph on mounted China paper. Plate 7 from Adolphe Jullien: Richard Wagner, sa vie et ses oeuvres. | $275. | 19 | Lithograph on mounted China paper |
| Fantin-Latour-8 | Henri Fantin-Latour (1836 - 1904) | LES MAÎTRES CHANTEURS DE NUREMBERG: ACTE 1ER. RENCONTRE DE WALTHER ET D'EVA (THE MASTER SINGERS OF NUREMBERG: ACT I, MEETING OF WALTHER AND EVA). 1886. Hédiard 68 (only state). Lithograph on mounted China paper. Plate 8 from Adolphe Jullien: Richard Wagner, sa vie et ses oeuvres. | $250. | 19 | Lithograph on mounted China paper |
| Fantin-Latour-9 | Henri Fantin-Latour (1836 - 1904) | L'OR DU RHIN (RHINEGOLD). SCÈNE 1ER: LES FILLES DU RHIN (SCENE I: THE THREE RHINE MAIDENS). 1886. Hédiard 69 (only state). Lithograph on mounted China paper. Plate 9 from Adolphe Jullien: Richard Wagner, sa vie et ses oeuvres. | $275. | 19 | Lithograph on mounted China paper |
| Fantin-Latour-10 | Henri Fantin-Latour (1836 - 1904) | LA VALKYRIE; ACTE 1ER: SIEGLINDE ET SIEGMUND (THE VALKYRIE: ACT I, SIEGLINDE AND SIEGMUND). 1886. Hédiard 70 (only state). Lithograph on mounted China paper. Plate 10 from Adolphe Jullien: Richard Wagner, sa vie et ses oeuvres. | $250. | 19 | Lithograph on mounted China paper |
| Fantin-Latour-11 | Henri Fantin-Latour (1836 - 1904) | SIEGFRIED: ACTE III. ÉVOCATION D'ERDA (EVOKING THE EARTH GODDESS, ERDA). 1886. Hédiard 71 (only state). Lithograph on mounted China paper. Plate 11 from Adolphe Jullien: Richard Wagner, sa vie et ses oeuvres. | $250. | 19 | Lithograph on mounted China paper |
| Fantin-Latour-13 | Henri Fantin-Latour (1836 - 1904) | PARSIFAL: ACTE II. ÉVOCATION DE KUNDRY (PARSIFAL: ACT II: EVOCATION OF KUNDRY). 1886. Hédiard 73 (only state). Lithograph on mounted China paper. Plate 13 from Adolphe Jullien: Richard Wagner, sa vie et ses oeuvres. | $250. | 19 | Lithograph on mounted China paper |
| Fantin-Latour-14 | Henri Fantin-Latour (1836 - 1904) | RÉVEIL (AWAKENING). 1886. Hédiard 74 (only state). Lithograph on mounted China paper. Plate 14 from Adolphe Jullien: Richard Wagner, sa vie et ses oeuvres. | $250. | 19 | Lithograph on mounted China paper |
| Fantin-Latour-15 | Henri Fantin-Latour (1836 - 1904) | GOTTERDAMMERUNG: SIEGFRIED ET LES FILLES DU RHIN (4e planche) (TWILIGHT OF THE GODS: SIEGFRIED AND THE DAUGHTERS OF THE RHINE). 1897. Hédiard 141ii. Lithograph. Signed H. Fantin and dated Nov. 87 in the stone. | $3,000. | 19 | Lithograph on mounted China paper |
| Gavarni-1 | Gavarni, Paul | JUDITH (L'ALBANAISE). Armelhault & Bocher 91i (of iv), proof before letters. Lithograph. | $800. | 19 | Lithograph |
Gavarni-2 |
Paul Gavarni (1804 - 1866) | MARCHAND DE CASSEROLES -PHYSIONOMIE ANGLAIS (THE POT AND PAN PEDDLAR - ENGLISH ASPECT). Armelhault & Bocher 2074. Lithograph on cream chine-appliqué, 255 x 198 mm plus full margins, with the address of Bertauts. A fine impression. Slight soiling and scattered foxing in outer margins. This image was made while Gavarni was in England. | $900. | 19 | Lithograph |
| Gavarni-3 | Paul Gavarni (1804 - 1866) | IL LUI SERA BEAUCOUP PARDONNÉ, PARCE QU'ELLE A BEAUCOUP DANSÉ (SHE MUST BE FORGIVEN, AS SHE DANCED SO MUCH). A. & B. 1670, only state. Lithograph on mounted China paper. With the blindstamp of the publisher, Les Artistes anciens et modernes. | $500. | 19 | Lithograph |
| Gericault-1 | Théodore Géricault (1791 - 1824) | CHEVAUX D'AUVERGNE. 1822. Delteil 48i (of iv) -- "Rare." Lithograph on mounted China paper. This rare first state impression is before the crack in the stone. From the series Études de Chevaux. Mount sheet foxed. Provenance: Prouté. | $1,200. | 19 | Lithograph |
| Gericault-2 | Théodore Géricault (1791 - 1824) | CHEVAL QUE L'ON FERRE. 1823. D. 72i (of iii) -- "Rare." Lithograph. This rare first state impression is before the addition of Villain's name. Foxing, mostly in outer margins. | $1,500. | 19 | Lithograph |
| Gericault-3 | Théodore Géricault (1791 - 1824) | CHEVAL CAUCHOIS. 1822. D. 49iii (of iv). Lithograph. A fine impression in very good condition. Plate 4 from Études de Chevaux Lithographies. | $900. | 19 | Lithograph |
| Goya-3 | Francisco Goya (1746 - 1828) | SI QUEBRÓ EL CÁNTARO (YES, HE BROKE THE POT). 1799. Harris 93.III.1 (of 12). Etching, burnished aquatint, and drypoint. A fine impression. Plate 25 from Los Caprichos, first edition. A fine impression, with the delicate touches of aquatint on the boy's bottom. Repaired tear into right margin edge. (Also see other works by Goya under 18th Century.) | $4,500. | 19 | Etching, aquatint, drypoint |
| Goya-5 | Francisco Goya (1746 - 1828) | DONDE VA MAMA? (Where is mother going?). 1799. Harris 100.III.1 (of 12). Etching, aquatint, and drypoint. A fine impression on laid paper in good condition except for pale stain in lower left margin corner. Plate 65 from Los Caprichos, first edition. Provenance: Leo Steinberg. (Also see other works by Goya under 18th Century.) | $3,000. | 19 | Etching, aquatint, drypoint |
| Gros-1 | Baron Antoine-Jean Gros (1771 - 1835) | ARABE DU DÉSERT. 1817. B.N. Inv. IX, p. 422, Beraldi 2. Lithograph, 188 x 264 mm (7 3/8 x 10 3/8") plus margins. Fine impression. Provenance: Lang Verly (not in Lugt). | $2,500. | 19 | Lithograph |
| Guerard-1 | Henri-Charles Guérard (1846 - 1897) | ROCHERS À MONTE-CARLO. Before 1887. Bertin 203i (of ii). Etching and drypoint. Signed and dedicated to (Arsène) Alexandre in pencil, and stamped with the artist's monogram. |
$2,400. | 19 | Etching |
| Harpignies-1 | Henri-Joseph Harpignies (1819 - 1916) | PAYSAGE A BOUQUET D'ARBES (LANDSCAPE WITH A GROUP OF TREES). 1850. B. 24, proof, signed in pencil. Etching on mounted China paper. Provenance: Beurdeley. | $2,400. | 19 | Etching |
| Harpignies-2 | Henri-Joseph Harpignies (1819 - 1916) | PAYSAGE AVEC UN HOMME SUR UN CHEMIN (LANDSCAPE WITH A MAN WALKING DOWN A COUNTRY ROAD). 1849. Etching on cream China paper mounted on white wove. Dedicated to Delgant and signed in pencil. | $800. | 19 | Etching |
| Havell-1 | William Havell (1782 - 1857) | LANDSCAPE WITH A SEATED SHEPHERD. 1804. Man 84. Pen lithograph, from Specimens of Polyautography, published by Philip André in 1803, republished in 1806 by Vollweiler. | $1,500. | 19 | Pen lithograph |
| Hiroshige-2 | Ando Hiroshige (1797 - 1858) | MATSUCHI-YAMA, SAN-YA-BORI YAKEI (NIGHT VIEW OF SANYA CANAL, MATSUCHI HILL). From the series 100 Views of Edo, 1856-1858. Color woodblock print. Faded. | $800. | 19 | Color woodblock print |
| Ingres-1 | Jean-Auguste-Dominique Ingres (1780 - 1867) | ODALISQUE. 1825. Delteil 9, only state. Lithograph. Fine, delicate impression. Very good condition but for very slight offsetting on verso, and signs of having been mounted. Published by Delpech in Album lithographique, 1826. Provenance: Henri M. Petiet (Lugt 2021a). | $8,500. | 19 | Lithograph |
| Isabey-1 | Eugène-Gabriel Isabey (1803 - 1886) | RETOUR AU PORT (petite planche). 1833. Curtis 65i (of ii). Lith. on mounted China paper. From Six Marines. | $1,200. | 19 | Lithograph |
| Isabey-2 | Eugène-Gabriel Isabey (1803 - 1886) | FISHING BOAT AT SEA. ca. 1836. Curtis 7--only two other proofs known to C. Lithograph on mounted China paper. | $2,000. | 19 | Lithograph |
| Kolbe-1 | Carl Wilhelm Kolbe (1757 - 1835) | LA FONTAINE EN ARCADIE (FOUNTAIN IN ARCADIA), after a drawing by Salomon Gessner, ca. 1806. Etching, trimmed outside the plate mark. A fine impression; a few flaws in blank plate margins, including a tear into the left edge, well outside the image. | $800. | 19 | Etching |
| Kuniyoshi-1 | Utagawa Kuniyoshi (1797 - 1861) | ABE NO NAKAMARO. Color woodblock print. From the series 100 Poems by 100 Poets, ca. 1836. | $400. | 19 | Color woodblock print |
| Laurent-1 | Ernest Joseph Laurent (1859 - 1929) | SOIR D'OCTOBRE (OCTOBER EVENING) for L'Estampe Moderne, No. 11, 1898. Lithograph printed in dark blue-green on cream-colored paper. With the L'Estampe Moderne blindstamp. | $500. | 19 | Lithograph |
| Lucas-1 | David Lucas (1802 - 1881) | HAMPSTEAD HEATH, after Constable. 1831. W. 22, S. 3, O.H.B. 1. Proof of a mezzotint from Vignette to Mr. Constable's English Landscape. A very fine impression, slight scattered foxing in margins. Provenance: Christopher Mendez, London. | $200. | 19 | Mezzotint |
| Martin-1 | John Martin (1789 - 1854) | THE FALL OF MAN. 1831. Campbell no. 93. Mezzotint and etching. From the Illustrations to the Bible series. | $1,200. | 19 | Mezzotint and etching |
| Meissonier-1 | Jean-Louis-Ernest Meissonier (1815 - 1891) | HUSSAR ON HORSEBACK. Pen and ink drawing of hussar on horseback, seen from the back. Signed with the initial M. Faded. | $1,200. | 19 | Pen and ink drawing |
| Meryon-1 | Charles Meryon (1821 - 1868) | LE PETIT PONT, PARIS. 1850. Delteil-Wright 24iv (of vii). Etching printed in brownish-black ink on thin laid paper, 262 x 190 mm plus margins. Very good impression. | $4,500. | 19 | Etching |
| Meryon-2 | Charles Meryon (1821 - 1868) | L'ARCHE DU PONT NOTRE-DAME, PARIS (AN ARCH OF THE NOTRE-DAME BRIDGE, PARIS). 1853. Delteil 25iv (of vii). Etching on green laid paper. | $6,000. | 19 | Etching |
| Meryon-3 | Charles Meryon (1821 - 1868) | LA TOUR DE L'HORLOGE, PARIS (THE CLOCK TOWER, PARIS). 1852. Delteil-Wright 28v (of x). Etching and drypoint printed in brownish-black ink on laid paper, 260 x 185 mm plus full margins. Provenance: DB (not in Lugt). | $5,500. | 19 | Etching |
| Millet-1 | Jean-Francois Millet (1814 - 1875) | LES BÊCHEURS (MEN DIGGING). Delteil 13iv. Etching. | $8,000. | 19 | Etching and aquatint |
| Millet-2 | Jean-François Millet (1814 - 1875) | LA BOUILLIE (MOTHER FEEDING HER CHILD). 1861. Delteil 17v. Etching on laid paper. A portrait of Mme. Heymann, Millet's daughter, and her baby. | $3,000. | 19 | Etching |
| Millet-3 | Jean-François Millet (1814 - 1875) | LES GLANEUSES (THE GLEANERS). 1855. Etching. A fine, warm impression, in very good condition, except for a small pale stain at the upper right corner. | $14,000. | 19 | Etching |
| Millet-4 | Jean-Francois Millet (1814 - 1875) | LA GRANDE BERGÈRE (THE LARGE SHEPHERDESS). 1862. Delteil 18, only state. Etching printed in brown ink with plate tone on laid paper. An extremely fine impression in very good condition. | $15,000. | 19 | Etching |
| Pissarro-2 | Camille Pissarro (1830 - 1903) | QUAI DES MENETRIERS A BRUGES. 1894. Delteil 108x. Etching. Stamped with the initials CP and numbered 4/19 . |
$2,800. | 19 | Etching |
| Pissarro-5 | Camille Pissarro (1830 - 1903) | PAYSAGE À ROUEN: COTE SAINTE-CATHERINE. 1883. Delteil 55iv. Etching. Numbered 23 and titled in pencil. With a flowered initial stamp in blue. Scarce. |
$4,500. |
19 | Etching |
| Pissarro-8 | Camille Pissarro (1830 - 1903) | PAYSANNE PORTANT DES SEAUX (PEASANT WOMAN CARRYING BUCKETS). 1889. Etching. From the posthumous edition, with the stamped initials and numbered "22/25." Scarce. | $3,000. | 19 | Etching |
| Pissarro-9 | Camille Pissarro (1830 - 1903) | MARCHÉ AU LÉGUMES À POINTOISE (VEGETABLE MARKET AT POINTOISE). 1891. Delteil 97ii. Etching and aquatint. From the posthumous edition of 46 impressions, with the stamped initials and numbered "3/46." | $7,500. | 19 | Etching and aquatint |
| W. H. Pyne-1 | William Henry Pyne (1769 - 1843) | LANDSCAPE WITH A SHEPHERD AND HIS FLOCK. Watercolor on paper, mounted on a small album leaf. Signed in brown ink. Fresh, unfaded color. | $1,200. | 19 | Watercolor |
| G. Pyne-1 | George Pyne (1800/1 - 1884) | VIEW OF A BOATHOUSE AT THE SEASHORE. Watercolor on paper, mounted on a small album leaf. Signed in brown ink. Fresh, unfaded colors. | $950. | 19 | Watercolor |
| Rajput-2 | (Rajput, Kotah, mid-19th C.) | STUDIES OF BUFFALO AND ELEPHANTS. Brush drawing with touches of orange pigment. | $1,200. | 19 | Brush drawing |
| Rajput-3 | (Rajput, Jodphur, ca. 1800) | KUMAN BAGHAT SINGH AND SWAMIJI. Gouache on paper, ca. 1800. | $1,500. | 19 | Indian miniature painting
|
| Redon-1 | Odilon Redon (1840 - 1916) | SIRÈNE TOURNÉE À GAUCHE. 1900. M. 188. Lithograph on chine volant. Plate III from the series Planches d'Essai, designed and printed by the artist. | $2,000. | 19 | Lithograph |
| Redon-2 | Odilon Redon (1840 - 1916) | SUR LE FOND DE NOS NUITS DIEU DE SON DOIGT SAVANT DESSINE UN CAUCHEMAR MULTIFORME ET SANS TREVE. 1890. Mellerio 203. Evely's process on copper, made from Redon's original drawings. Plate 6 of the set of 9 illustrations to Charles Baudelaire's Les Fleurs du mal. From the edition of 43 impressions. | $2,250. | 19 | Evely's process on copper |
Redon-3 |
Odilon Redon (1840 - 1916) | SI PAR UNE NUIT LOURDE ET SOMBRE, UN BON CHRÉTIEN, PAR CHARITÉ, DERRIÈRE QUELQUE VIEUX DÉCOMBRE, ENTERRE VOTRE CORPS VOUTÉ 1890. Mellerio 201. Evely's process on copper, made from Redon's original drawings. Plate 4 of the set of 9 illustrations to Charles Baudelaire's Les Fleurs du mal. From the edition of 43 impressions. |
$2,250. | 19 | Evely's process on copper |
| Redon-4 | Odilon Redon (1840 - 1916) | L'INTELLIGENCE FUT À MOI! JE DEVINS LE BUDDHA. ("Intelligence Was Mine! I became Buddha.") 1896. Mellerio 145i (of ii). Lithograph. Plate XII from the series Tentation de Saint-Antoine, Troisième série, printed in an edition of 50 on mounted China paper. | $2,400. | 19 | Lithograph |
| Rousseau-1 | Théodore Rousseau (1812 - 1867) | CHENES DE ROCHE (OAK TREES IN THE ROCKS). 1861. Delteil 4ii (of iii). Etching printed in dark brown ink on laid Hallines paper. | $1,800. | 19 | Etching |
| Toulouse-Lautrec-1 | Henri de Toulouse-Lautrec (1864 - 1901) | LE BON GRAVEUR (ADOLPHE ALBERT). 1898. Lithograph, only state. Signed in pencil and with the artist's monogram stamp in red, and stamped with the number 81 from the edition of 100 impressions. A very good impression in good condition except for two vertical creases, visible mostly in the margins. | $4,500. | 19 | Lithograph |
| van de Velde-1 | Henry van de Velde (1863 - 1957) | TROPON-EIWEISS NAHRUNG (poster design for Tropon). 1898. Original lithograph in 4 colors, signed with the monogram in the stone. Published by Fontane, Berlin, in the album Pan, 1898. | $2,400. | 19 | Lithograph |
| Vernet-2 | Carle Vernet (1758 - 1836) | MAMELUCK EN REPOS. Beraldi 66. Lithograph. | $1,800. | 19 | Lithograph |
| Vuillard-1 | Edouard Vuillard (1868 - 1940) | INTÉRIEUR À LA SUSPENSION. 1899. Roger-Marx 35iv. Color lithograph on loose China paper. From the series Paysages et Intérieurs, printed in an edition of 100 impressions by Auguste Clot, and published by Vollard.A proof with the blank area around the image trimmed off. | $12,000. | 19 | Color lithograph |
Whistler-2 |
James McNeill Whistler (1834 - 1903) | THE RAG GATHERERS. 1858. Kennedy 23v. Etching. | $1,800. | 19 | Etching |
| Whistler-3 | James McNeill Whistler (1834 - 1903) | LANDSCAPE WITH THE HORSE. 1859. Kennedy 36ii. Etching. |
$7,500. | 19 | Etching |
| Whistler-6 | James McNeill Whistler (1834 - 1903) | BECQUET (THE FIDDLER). 1859. Kennedy 52 iii (of iv). Etching and drypoint. A fine impression printed on extremely delicate Japanese tissue. Plate 8 from A Series of Sixteen Etchings of Scenes on the Thames. | $4,000. | 19 | Etching and drypoint |
| Whistler-7 | James McNeill Whistler (1834 - 1903) | BILLINGSGATE ON THE THAMES. 1859. Kennedy 47iii. Etching. From the edition issued for The Portfolio, 1878. | $3,600. | 19 | Etching |
| TWENTIETH CENTURY | |||||
| Archipenko-1 | Alexander Archipenko (1887 - 1964) | STILL LIFE WITH CLOCK. 1922. Lithograph. Fine impression, signed in pencil, fresh condition. | $4,500. | 20 | Lithograph |
| Arms-1 | John Taylor Arms (1887 - 1953) | SHADOWS OF VENICE, also called IL PONTE DI RIALTO, VENEZIA. 1930. Arms 231; Fletcher 229. Etching. Edition 100. Plate 16 from the Italian series. | $1,500. | 20 | Etching |
| Arms-2 | John Taylor Arms (1887 - 1953) | SAINT PAUL, ALPES MARITIMES. 1930. Fletcher 201. Etching. Signed and dated in pencil. Edition of 259 impressions. | $750. | 20 | Etching |
| Barlach-1 | Ernst Barlach (1870 - 1938) | DER NEUE TAG (THE NEW DAY). 1932. Schult 294. Lithograph on laid van Gelder Zonen paper. Signed in pencil. A fine impression on the full sheet of paper, in excellent condition. | $3,800. | 20 | Lithograph |
| Besnard-4 | Albert Besnard (1849 - 1934) | SOUS LA LAMPE (BY LAMPLIGHT). 1928. Not in Delteil. Etching and drypoint on laid paper. Rich, velvety impression in very good condition. (Also see 19th Century section for more Besnard works.) | $800. | 20 | Etching and drypoint |
| Cassatt-1 | Mary Cassatt (1844 - 1926) | SARAH WEARING HER BONNET. ca. 1904. Breeskin 198, only state. Lithograph, signed in the stone. A fine impression in very good condition. | $14,000. | 20 | Lithograph |
| Chagall-2 | Marc Chagall (1887 - 1985) | LES POISSONS ET LE BERGER QUI JOUE DE LA FLÛTE (THE FISH AND THE SHEPHERD WHO PLAYED THE FLUTE). The Artist and the Book, no. 52. Etching and aquatint. Signed in pencil and numbered 95 by the artist. Plate 95 from La Fontaine Fables, Eaux-Fortes Originales. Printed by Potin 1920-21, but not published until 1952 by Tériade. |
$3,000. | 20 | Etching and aquatint |
| Chagall-3 | Marc Chagall (1887 - 1985) | LES DEUX CHÈVRES (THE TWO GOATS). 1952. Garvey (The Artist and the Book) 52, Cramer books 22. Etching and aquatint. Plate 98 from Les Fables de la Fontaine. | $2,000. | 20 | Etching and aquatint |
| Corinth-1 | Lovis Corinth (1858 - 1925) | PORTRAIT OF THOMAS CORINTH, THE ARTIST'S SON. 1922. Müller 580. Drypoint. Signed in pencil. Provenance: The estate of Kay (Katherine) C. Corinth, Thomas's widow. | $650. | 20 | Drypoint |
| Corinth-2 | Corinth, Lovis (1858 - 1925) | TREES IN THE SUN. One of a series of six drypoints made in the Berlin Tiergarten in the winter of 1920-21. Like all of Corinth's landscapes, this would have been drawn directly from nature. See F. Carey & A. Griffiths: the Print in Germany 1880-1933: The Age of Expressionism, no. 62 (illustrated). | $2,000. | 20 | Drypoint |
| Derain-1 | André Derain (1880 - 1954) | PAYSAGE DANS LE GOUT ITALIEN. 1910-13. Adhemar 49. Drypoint on laid Arches paper, signed in pencil. From the edition of 50 impressions. | $7,500. | 20 | Drypoint |
| Derain-2 | André Derain (1880 - 1954) | METAMORPHOSES: VISAGE DE FEMME APPUTEE SUR SA MAIN. 1927. Lithograph, signed in pencil and annotated "bon à trier." From the edition of 100 impressions. | $1,400. | 20 | Lithograph |
| Grosz-1 | George Grosz (1893 - 1959) | NACH GETANER ARBEIT (THE END OF A PERFECT DAY). 1939. Duckers E 108. Drypoint. Signed in pencil. From the edition of 200 impressions. | 20 | Drypoint | |
| Hansen-1 | Armin Hansen (1886 - 1957) | VALLEY FARM. 1926. White 86. Etching and drypoint. Signed and titled in pencil. | $600. | 20 | Etching and drypoint |
| Hassam-1 | Childe Hassam (1859 - 1935) | THE BEACH, EASTHAMPTON. 1921. Cortissoz 165, only state. Etching, 225 x 350 mm (8 7/8 x 13 3/4 ) plus full margins. Signed in the plate Studio C. H. 1921 and annotated Inscribed to Sara Bard Field and signed with the cipher and the artist's name in pencil. A fine impression of this extremely rare print. Tack holes all around the margins, as usual. | $35,000. | 20 | Etching |
| Hassam-2 | Childe Hassam (1859 - 1935) | STORM KING. 1918. Griffith 45, only state. Lithotint. From the edition of 49 impressions. | $4,500. | 20 | Etching |
| Heckel-1 | Erich Heckel (1883 - 1970) | PARKSEE (LAKE IN THE PARK). 1914. Dube 122, only state. Drypoint printed with plate tone on laid paper. A fine, rich impression with velvety burr. Signed and dated in pencil. | $14,000. | 20 | Drypoint |
| Kandinsky-1 | Wassily Kandinsky (1866 - 1944) | ERSTE RADIERUNG FÜR DIE EDITIONS CAHIER D'ARTE. 1930. Roethel 194. Etching and drypoint, 219 x 147 mm (8 5/8 x 5 13/16") plus full margins, black ink on thick wove Arches paper, as published in Will Grohmann's book on Kandinsky, Paris, 1930. | $18,000. | 20 | Etching and drypoint |
| Kokoschka-1 | Oskar Kokoschka (1886 - 1980) | ADAM AND EVE. 1917. Arntz 63. Lithograph printed in brown ink. Signed and dedicated proof outside the published edition of 100 impressions. From the artist's play Hiob, a series of 14 lithographs. |
$1,800. | 20 | Lithograph |
| Kokoschka-2 | Oskar Kokoschka (1886 - 1980) | DIE GRIECHIN (THE GREEK). 1921. Wingler Welz 146. Lithograph. Signed, titled, and numbered "73/100" in pencil. A very fine impression, a life-size image, in good condition. | $4,000. | 20 | Lithograph |
| Kollwitz-1 | Käthe Kollwitz (1867 - 1945) | DER TRAUERNDE (THE MOURNER). 1919. Klipstein 137v a (of b); Knesebeck 145bis a (ofc). Etching and aquatint. Signed in pencil. A fine impression in very good condition. Memorial plate for Karl Liebknecht. | $7,500. | 20 | Etching and aquatint |
| Kollwitz-2 | Käthe Kollwitz (1867 - 1945) | DIE GEFANGENEN (THE PRISONERS). 1908. Klipstein 98VI (of X), after the year 1921 has been added at the lower right corner. Etching, drypoint, and soft-ground. Plate 7 from the series Bauernkrieg (Peasants' War). | $5,000. | 20 | Etching, drypoint, and soft-ground |
| Lepere-1 | August Lepere (1849 - 1918) | L'ABREUVOIR AU PONT MARIE, PARIS (THE FEEDING TROUGH AT MARIE BRIDGE, PARIS), first version. 1912. Etching. Lotz-Brissoneau 128, only state. Signed in pencil, and with the blindstamp of Sagot Editeur, Paris. | $1,800. | 20 | Etching |
| Lindenmuth-1 | Tod Lindenmuth (1885 - 1976) | MORNING AT THE WEIR. ca. 1945. Woodcut printed in blue. Edition size unknown, probably less than 100. | $3,500. | 20 | Woodcut printed in blue |
| Marcoussis-2 | Louis Marcoussis (1878 - 1941) | PLANCHES DE SALUT. 1931. Milet 66 - 78. Complete set of 10 etchings with engraving printed on mounted China paper, with frontispiece, head-piece and tail-piece (13 in all) in the original wrapper, as issued in 1931. Fine impressions in very good condition. | $12,000. | 20 | Etching |
| McBey-2 | James McBey (1883 - 1957) | ANTWERP. 1923. Hardie 214. Etching. Signed and numbered XXXII in black ink. Edition of 76 impressions. | $1,200. | 20 | Etching |
| McBey-3 | James McBey (1883 - 1957) | MARRAKESH. 1938. Etching. Signed and numbered in ink. A fine, clear impression printed with plate tone, in excellent condition. From the edition of 60 impressions. | $1,500. | 20 | Etching |
| McBey-4 | James McBey (1883 - 1957) | SANTA MARIA DELLA FAVA, VENICE. 1925. Hardie 234. Etching and drypoint. Signed, numbered "XIII," and annotated. A fine atmospheric impression. | $1,800. | 20 | Etching and drypoint |
| Milton-1 | Peter Milton (b. 1930) | CHILD'S PLAY. 1966. Johnson no. 46. Lift-ground etching and engraving. Signed, titled, and numbered "34/75" in pencil. | $3,800. | 20 | Lift-ground etching and engraving |
| Mucha-1 | Alphonse Maria Mucha (1860 - 1939) | L'ART PHOTOGRAPHIQUE. 1899. Color lithograph in Publication Mensuelle, No. 11, 1900. Design for a book cover for a book of Mucha's photographs. Very good impression, color, and condition. | $2,000. | 20 | Color lithograph |
| Mucha-2 | Alphonse Maria Mucha (1860 - 1939) | WOMAN WITH BEARSKIN. 1902. Color lithograph. Plate 57 from Documents Decoratifs. Very good condition and color. | $2,500. | 20 | Color lithograph |
| Mucha-3 | Alphonse Maria Mucha (1860 - 1939) | POPPIES. 1902. Color lithograph. Plate 38 from Documents Decoratifs. Designs for wallpaper. Very good condition and color. | $1,800. | 20 | Color lithograph |
| Pechstein-1 | Max Pechstein (1881 -11955) | GEHOFT (THE FARM). 1919. Woodcut, signed, dated, and numbered in pencil, from the series Ein Dorf (A Village). A fine impression in very good condition. | $4,500. | 20 | Woodcut |
| Pechstein-2 | Max Pechstein (1881 -11955) | VILLAGE STREET. 1919. Woodcut, signed, dated, and numbered in pencil, from the series Ein Dorf (A Village). A fine impression in very good condition. | $4,500. | 20 | Woodcut |
| Pechstein-3 | Max Pechstein (1881 -11955) | THE ENTRANCE TO THE VILLAGE. 1919. Woodcut, signed, dated, and numbered in pencil, from the series Ein Dorf (A Village). A fine impression in very good condition. | $4,500. | 20 | Woodcut |
| Picasso-3 | Pablo Picasso (1881 - 1973) | LE VIEUX ROI (THE OLD KING). January 6, 1959. Mourlot 317, Bloch 869. Lithograph with the artist's signature in red, and the date in black, in the stone. From the edition of 1,000 impressions. | $4,500. | 20 | Lithograph |
| Pollak-1 | Max Pollak (1888 - 1970) | CHURCH ON A SNOWY HILLSIDE, AUSTRIA. Drypoint on wove paper. Signed and annotated in pencil. Foxed in margins. | $400. | 20 | Drypoint |
| Pollak-2 | Max Pollak (1888 - 1970) | HOLLAND (DUTCH WOMEN IN TRADITIONAL DRESS). Etching with drypoint on thick wove paper. Signed and titled in pencil. |
$400. | 20 | Etching with drypoint |
| Renoir-1 | Pierre-Auguste Renoir (1841 - 1919) | BAIGNEUSE DEBOUT, A MI-JAMBES (BATHER STANDING, THREE-QUARTER VIEW). 1910. Stella 23, only state. Etching. | $2,800. | 20 | Etching |
| Riggs-1 | Robert Riggs (1896 - 1970) | PSYCHOPATHIC WARD. ca. 1940. Beall 60, Bassham 78. Lithograph. A fine, rich impression, signed and titled in pencil, in excellent condition. | $5,000. | 20 | Lithograph |
Siegmund-1 |
Rudolf Siegmund (Burgel, 1881 - ?) | PORTRAIT OF A WOMAN IN PROFILE. 1911. Woodcut in brown ink printed on thin Japan paper, tipped onto a sheet of dark brown paper, which is tipped onto a larger sheet of warm brown paper. This latter bears the signture and date in pencil. | $900. | 20 | Woodcut |
| Villon-1 | Jacques Villon (1875 - 1963) | LE DÉPART (THE DEPARTURE). 1932. Ginestet & Pouillon 360iii (of iv). Etching and drypoint. Signed and numbered "7/50" in pencil. A fine impression printed with plate tone in excellent condition. | $2,000. | 20 | Etching and drypoint |
| Villon-2 | Jacques Villon (1875 - 1963) | LES VINGT ANS FIERS (THE WILD TWENTY YEARS). ca. 1930. Ginestet & Pouillon 337. Etching. Signed and annotated "épreuve d'artiste" in pencil. A fine impression in excellent condition. | $3,000. | 20 | Etching |
| Vlaminck-1 | Maurice de Vlaminck (1876 - 1958) | MAISONS À BOUGIVAL. 1913. Woodcut, signed and numbered "7" from the edition of 30. A fine impression, very slight discoloration around the image, otherwise excellent condition. | $5,000. | 20 | Woodcut |
| Vlaminck-2 | Maurice de Vlaminck (1876 - 1958) | LA ROUTE À VALMONDOIS. 1923. Walterskirchen 167b. Lithograph printed in five colors on Arches paper. Signed and numbered "N 4" in pencil. A fine impression in very good condition, from the edition of 50 impressions. | $6,000. | 20 | Color lithograph |
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